COMPENDIUM CULTURAL POLICIES AND TRENDS IN EUROPE
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Norway/ 2. General objectives and principles of cultural policy  

2.1 Main features of the current cultural policy model

The Norwegian cultural policy model cannot be characterised as an archetype of any of the classical cultural policy models, such as the arms-length model, the interventionist model, the entrepreneurship model or the decentralised model. Instead, it contains elements of all of the models, excluding the entrepreneurship model. In the Norwegian model, the public authorities have played a considerable role in the culture sector, not least by giving financial support to a range of cultural and artistic activities. The relationship between the public authorities and the culture sector can be characterised by the terms of corporatism on the one hand and the arms-length principle on the other. While artists' organisations have played a crucial role in the administration of some public support schemes for artists, the work of the Arts Council is based on a relatively autonomous position vis-à-vis both the government and the field of art. However, the corporatist element of the Norwegian cultural policy model seems to have declined over the past two decades, although it is more significant than in many other countries.


Chapter published: 31-01-2017

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